Roses
8x6in oil on canvas panel $135. SOLD
Artist Note
This was a demo I did today
at the Artists Guild.
A mix of fracturing, brush and knife
work using a
charcoal drawing base to step up from.
First, I did the drawing with charcoal
and used a
spray fixative (outside) to secure.
Next, I applied a light transparent color
over the drawing then started to add color.
I am still not able to "see and evaluate"
my paintings after I have finished them.
My brain apparently is in a different
place at the moment.
It still works for teaching, thank heavens.
Thank you for all the great comments
to my last post.
I will be round to check all your blogs.
This was a demo I did today
at the Artists Guild.
A mix of fracturing, brush and knife
work using a
charcoal drawing base to step up from.
First, I did the drawing with charcoal
and used a
spray fixative (outside) to secure.
Next, I applied a light transparent color
over the drawing then started to add color.
As you can see from the above step
I eventually
covered up the lines in my finished
painting.
The advantage of this drawing base is that
you can use it for several
different techniques.
Here is a famous one.
Leaving the outlines
showing here and there was a
technique Cezanne loved to use.
He went back over his drawing and emphasized
his lines with paint
As time went on he learned to
forgo the initial drawing and go
straight into drawing with his paint brush...
like in the drapery above.
No matter the method -
the use of line adds so much to the
power of the painting.
my paintings after I have finished them.
My brain apparently is in a different
place at the moment.
It still works for teaching, thank heavens.
Thank you for all the great comments
to my last post.
I will be round to check all your blogs.
Bonjour chère Julie,
ReplyDeleteUn plaisir sans cesse renouvelé lorsque je pénètre dans votre univers...
Que ce soit vos roses aujourd'hui ou votre composition version Cézanne, je suis subjuguée par votre travail et j'apprécie particulièrement de pouvoir visualiser son évolution.
❀ ♡ Gros bisous ♡ ❀
Thank you, dear Martine, you say the nicest things.
DeleteYour new sketch is going to make a wonderful painting and I loved the photos of the flowers.
Simply gorgeous and reminds me of my own Julie Ford Oliver piece! I'm trying to figure out why sometimes I can draw really well, and much of the time I can't draw at all. I'm thinking it has to be my mood...my enthusiasm levels for what I am doing. I don't know...I really need to break out the charcoal. I always avoid it because of the messy/dirty factor.
ReplyDeleteI agree Sherry - our mood has so much to do with our focus...or lack of it!
DeleteHappy to hear you got the apartment you wanted.
I do love the outlining!
ReplyDeleteKeep plugging along:)
Plugging is a good word for it.
DeleteYou have an interesting post, Libby.
You always teach me so Much.
ReplyDeleteHow sweet of you Sharon. I loved seeing the hat paintings by your students.
DeleteHow wonderful. Thanks for all the information.
ReplyDeleteHi Carol - glad you found it interesting.
DeleteI nearly choked laughing at your "shite" story and loved the photo on your other blog post.
Rich color, beautiful balance and full of texture. Love it, Julie!
ReplyDeleteHi Carol. Thanks for the comment and hope you are managing to get some experimental work done while your hubby is mending. He is most likely ready to roar back into action by now.
DeleteBeautiful painting - lucky demo audience. And this blog post was such a real treat! Thanks, Julie!!
ReplyDeleteYour blog is pretty thought provoking and I am looking forward to what sounds like a new direction.
DeleteHello Julie, I wasn't at your demo but seeing it here, I feel like I was. I'm curious what the fixative you are using? Is it a retouch varnish? I would suspect it would need to dry a bit quickly to keep the flow of work going. I've done a charcoal sketch on canvas then ended painting it so heavily the sketching went almost into oblivion. A good bit of advice from Cezanne and you to let some of this process peek through. Thank you again.
ReplyDeleteHi Laura, I use Krylon Workable Matte Fixative. It is not a heavy varnish but made specifically for fixing charcoal, pastel, conte and other drawing type materials. Dries instantly and is acid free. I trust the Krylon brand.
DeleteThanks for the visit. I visited your blog and loved the landscape.
Fabulous as always Julie.I have experimented with lines with some figurative works, want to try with landscapes as well, not I am motivated!
ReplyDeleteLines can add so much in all formats. Landscapes are particularly good with them. Will look forward to seeing your new painting.
DeleteThanks for the visit, Padmaja,
Hi Julie.. I didn't realize my husband was logged in when I commented on your post this morning. I am not sure it went through as well. Anyway... I love your roses. They are beautiful. I love how Cezanne has used lines to guide the eye.
ReplyDeleteThanks for persisting...Glad you like Cezanne's work.
DeleteYour landscape is really great. What a fab job you did with your perspective.
This is fantastic Julie. Love the process...(and I love the work of Cezanne!)
ReplyDeleteSo good to hear you love his work too. He is pretty much near the top of my list.
DeleteWhat are you working on...????
Thanks for sharing your process. I always enjoyed your style.
ReplyDeleteAnd I love your magnolias. How fortunate you are to have them close by.
DeleteThanks for the nice comment.
Julie, you make roses look easy and we both know they can be a challenge. Great information in your post. Thank you.
ReplyDeleteI find nothing is easy. Seems the more you know, the harder it gets.
DeleteGlad you are on the road to recovery, Helen. That has been quite a siege.
Oh once again I want to run toward whatever you are doing! What an inspiration and in both technique and the finished work!
ReplyDeleteYou are always so wonderfully supportive, Mary. Thank you.
DeleteI got a lot of pleasure from your painting of the water rushing over the rocks.
Could almost hear the sound.
The finished painting is lush and beautiful! But I have to admit I'm more intrigued and in love with the in process version I keep coming back to it. I think the gorgeous vase really shows so well in this stage and it's very compelling.
ReplyDeleteYes - the process is one I love but no longer suits my natural style so I go on. It is a very freeing way to paint and letting the lines show here and then is quite wonderful.
DeleteI thought the way you painted the water in your new post was amazing. Lots of color and movement with the brush marks.
I'm catching up on your last few wonderful posts. The fact that you set up and paint in the car just makes me smile. I love it!!! Great information in this post...and a lovely result.
ReplyDeleteThanks, Joan. Painting in the car is so easy once you have the right set-up. All I know is, unless I am driving I get bored silly just sitting doing nothing on long trips. I cannot read as I get sick but the painting never bothers me.
DeleteI really liked you island painting. very peaceful.
I really love seeing your process and the underpainting. You are always so generous with sharing your knowledge and I want to thank you for all your great problem solving ideas, priceless!
ReplyDeleteHi Bruce - thanks.
DeleteThe neat thing is that you can paint in any method on top of a drawing. Sometimes it helps clarify the image if it is drawn boldly - nothing wishy-washy. Sometimes I do this way for a demo to help others see what is
there.
Great to see you back on your blog again.
You are so right: lines have really magical power ... sometimes, I want to put lines or geometric signs although apparently no connection with what I'm painting.
ReplyDeleteIt 'a way of affirming what I hear, rather than what is the reality .... or at beginning of work, an effective way to grasp the reality that entirely lacks over white space
in front of us.
Amazing still- life, full of energy and color, bold emerged from the white background.
Reflect on the Masters is always enlightening and a pleasure to do with you as if I were in a corner of the classroom while you teach,dear Julie.
I wish you a nice weekend
Wonderful dialog, Rita. Thank you for taking the time to let me know in a very special way you agree about the use of line.
DeleteYour new watercolor with all the roses and soap bubbles
is truly beautiful. I mean it. TRULY beautiful!
Julie - this is downright yummy! And I do agree - lines can be quite powerful!
ReplyDeleteYummy - I like that word. Paint quality - right?
DeleteGlad you posted the photos from your trip. I enjoyed seeing them.
This is a beautiful bouquet you've created Julie. I love the arrangement, the colors and the overall effect of freshness. Thanks for sharing the process also.
ReplyDeleteThank you Helen. I like the colors too. The new bowl is just gorgeous so I expect to paint it a lot.
DeleteYour beautiful colors are inspirational - you captured the golden hour perfectly. I do hope you can paint more often.
Thanks. Fascinating to see the process. Lucky students.
ReplyDeleteInterested in the fixative comment. Right now I am experimenting with fixing pastel works. I have been using something marketed as nontoxic for the workable fixative and then spraying a Krylon fixative over that.
Have you tried putting wax over your initial nontoxic spray. The Renaisance wax dries instantly and gives a beautiful softer finish - perfect for pastel.
DeleteI love the painting Julie and I love the initial drawing just as much. It could have stopped right there which I find amazing. Line adds SO much. I think a lot about Olivia Pendergast's work when it comes to line. You can see bits of drawing in her portraits. It's like finding buried treasure. I should get a Cezanne book. I don't have one.
ReplyDeleteGreat post!!!!!
Hi Lisa - so pleased you found this interesting. I agree about Olga's work. We share the admiration of Carolyn Plochman's work too.
DeleteLove your description of buried treasure.