Personal Art Blog

Sharing the lessons I teach at the Artist Guild and the personal discoveries in my art.

Friday, July 21, 2017

Peaches & Stripes

Peaches & Stripes
6"x6" oil on canvas panel  $125.SOLD


Artist Note.
I must have a little thing going for stripes
at the moment. I have done three
still life set-ups and they all
  have the same striped cloth.

Does anyone else notice that they
favor a certain item for a while?
The cherries are still being included too!

When I finished this painting
 it reminded me
in color
 and pattern
of a
Vuillard or Bonnard.

Lordy...had I subconsciously
copied one of their
still life paintings?
This can happen when you have
a lot of art history background.
Anyone relate?

After trolling though
 nearly everything I
 could find on Search
 I could see quite clearly
the differences, but I am
rather happy that
 this one reminds
me of their patterns
and colors.


Thursday, July 13, 2017

Why I Like To Fracture Plus A Still Life.

Summer Still Life
8"x6" oil on linen panel $150.
Purchase HERE

Artist Note
After my Fracturing Workshop
I took a few days off to paint
with a friend who is a regular
plein air painter...and 
due to the extreme heat
(thank heavens)
we set up a still life.

I have been asked why 
I like to fracture

The following is a piece 
I did in my workshop
showing everyone
the premise of why I use the
fracturing technique.
It is all about keeping the
viewers eye's interested.

Below is the type of surface
I would get when I 
used a brush in a smooth, flat way.
One glance and you have grasped it


Then here is the same square fractured.


The idea is 
there is more
to entertain the eye!
Hope this helps explains it, Susie.


Saturday, July 8, 2017

Workshop Review

Sunflower Demo  sold

Artist Note.
I always really enjoy my
workshops but this one
was extra special due
to the fun and talented artists
who all got on so well.
A true blessing.

On the first day 
I provide all the surfaces to
 do the fracturing exercises
and a black panel is one of them.

I sketched out the placement
with white chalk.
 Then I started adding
 the orange/yellow transition color
alongside the dark center.
Next, I added the
yellow and green shapes only.
Looking at the light and dark pattern
I then fractured 
 randomly 
with the handy tool.
Added background colors
remembering to use opposing
strokes and then I fractured
lightly again.
I follow the fracturing marks
using brush and knife...
Defining certain areas. 

Artists are encouraged to
bring it back according to
personal preference for
the amount of detail.

Here are a few of the paintings
the artists did in the workshop.
Wish I could show them all.
Lindy

Carol

Michelle
Veronica

The next three paintings
show how 
 different artists used 
the fracturing technique
to have their own voice with paint.
Three dogs - all different!

Cheryl 

Connie

Veronica

Thank you, everyone, for
allowing me to show your work.

If you are interested in the
Fracturing Technique,
here is a link
Fracturing Tutorial