Personal Art Blog

Sharing the lessons I teach at the Artist Guild and the personal discoveries in my art.

Thursday, June 22, 2017

Silver, Red & Turquoise!

Silver, Red & Turquoise!
6"x 6" oil on gesso board $125.
Purchase HERE

Artist Note.
I am proud of this one.
Big beam and a happy Julie!

Tomorrow is the last day 
of the 
Fracturing Technique workshop. 
(The cherries were painted before it.)

What a great group of
talented artists, I was lucky
enough to have.
I will ask their permission 
to show some of their work
in my next post.

First, I need to relax.

Sunday, June 18, 2017

Mums, Picasso & Cherries

Mums, Picasso & Cherries.
8"x6"  oil on linen panel  SOLD

Artist Note.
 The cherries are still
inspiring me, so I went into a 
different color palette
and am happy I did.
I find the color harmony
in this one very appealing.

This is an extra personal painting
because I used 
an old and much loved
Picasso top
as the background.
The challenge of this was
how to do a "busy" painting
but still manage to
keep a focal area.

It was fun to paint.

Tuesday, June 13, 2017

Spilled Cherries

Spilled Cherries
6x8inches oil on canvas panel $140. SOLD

Artist Note
This went thru several incarnations,
starting off with a silver bowl.
It became a fight of reflections!
I know when I am beaten 
so I went and got a white bowl
off the shelf.

This is another painting
 from the big box of cherries
we bought at Nichols Ranch

Situated a beautiful 80 min drive 
from Las Cruces,
the orchards are 
at an altitude of 6,800ft
- much cooler than here!
Leaving, we stopped to admire 
this view
of the brilliant streak of light
below the distant mountains 
created by
 White Sands National Monument.

Hot today with more 
heat on the way.
 My new studio in nice and cool.

Tuesday, June 6, 2017

The Striped Pitcher

The Striped Pitcher
8"x 6" oil on canvas/panel $140. SOLD

Artist Note.

I LOOOOVE my new studio!

 I want to show you my
set-up for painting a still life

 I needed  something that was: 
convenient to get to... 
right by my easel...
      and very versatile...

This fits the bill perfectly.

I screwed two shelving strips 
into the wall
making them long enough 
so I could adjust
the viewpoint from either,
eye level - see below
- or moving it down for 
taller still life set-ups.
 (See last image)
It is so easy to adjust. 

. I used the longer18-inch brackets
to support a good sized surface. 
I used a 20"x20" piece of plywood
on top of the lower brackets
and  placed a piece of
24' foam core over the top
This also prevents my overhead light 
from interrupting a
single light source.
I can have fabric over this 
to drop down behind
And I can also use colored paper
The gooseneck light
 adjusts in any position
from any side.
This shows how 
I can also use the
  sight-size method. 

So there it is. I hope I get a 
lot of use out of it.
Whoo hoo!!

Monday, May 29, 2017

Cherry Time and New Studio Pics

Cherry Time
6x6" oil on panel

Artist Note.
Getting back into painting after
a break is pretty humbling.
I did this one and liked it...
but was told it didn't I
reworked it and maybe ruined it?

Which one do you prefer?

Cherry Time#2
6x6' oil on panel 

Oh least I am painting
again and loving doing it.

Here are a few shots of
my new studio space.

You enter to this area.
I am very pleased to have
a place for some of my nests
and fav fountain.
Also, I enjoy having
a separate area to eat
lunch or relax with a drink.

The classroom
The room is 24' long  and
I have the whole end of it! YEA!

A convenient shelf runs along
the wall
for the artists to place their
iPad and source material on.
A mirror hangs by each station
so they can check their works
with fresh eyes.
The  corridor turned out to be
 the perfect place to
have the shelves to hold everything
from masking tape to rulers
Also, the above photo is great
because you can
see the difference in the
 light bulbs colors.
All walls are the same gray.
The corridor has LED lights
and they give a pinky cast
The classroom has daylight
5500 with CRL 90
a perfect balance!
and the entrance area
you see at the end is of
 a typical fluorescent
and gives a slight yellow cast.

Meet the Guild's oldest member
- he loves hanging around!!
Look at the great still-life storage!
I have a really large room
which holds everything -
including an area with individual
cube storage space for
the Guild members to  store their
large items they do not
want to tote all the time.

And.... best of all....
it gives me space for a permanent
photo area.

This will be a happy creative space
for me and the
members of the
 Artists Guild of Southern New Mexico.

We have a Guild member I have to thank.
A retired master carpenter from
Philly, he has generously given
many hours to 
painting walls and building shelves.
It must have driven him nuts
listening to my 
voice suggesting...
"maybe a little bit more to the right!"

Always patient and always good humored
we are grateful and 
thank you, Richard Haggerty!

Here is one of his paintings
Talented for sure!

Thanks for staying to see everything

Monday, May 22, 2017

Sunflowers and Workshop Info

Sunflowers and Pomegranates
8x6" oil on canvas panel SOLD

Artist Note.
The move to a new studio is finished!
I will be putting up some photos of it, 
but first, I need to get the word out
  that I have had a cancellation for
my June 20th workshop 
so a slot is available.

3 Days + 3 HOURS
oil or acrylic

Only 6 artists in the class.
I keep it small so everyone gets
the attention they need

June 20th - 22nd 
with the morning
of 23rd for wrap up
 and individual 
review and direction 
as needed.


All supports will be provided 
for the first day of
 technique exercises along
with a gift of my handy tool.

The workshop covers the best way
to use the fracturing technique
to suit the individual artist's  
own strengths and vision.

My personal color preferences
will be explained  with a lot of 
demos to make it easy to follow.

I love teaching and would be delighted
help you with your journey
into expanding your
painting skills.

I always get glowing testimonials 
after class and can forward
any if desired.

If interested...
Please get in touch with me
(cut and paste)

Monday, April 3, 2017

The Desert Cardinal

Desert Cardinal
6x8in  oil on canvas panel $140. SOLD

Artist Note.
A member of the Cardinal family
It took me forever to pronounce
and I can understand why the 
much more popular
Desert Cardinal is used
The bright red of the northern cardinal would
be like a neon light for predators
in the scrubby desert so nature
in all her wisdom
added the neutral colors on top on
this southwest dwelling wonder.

This guy is a regular at my feeders
I have two pairs visit, and 
although of the same genus,
one male has a lot more red than the 
other under his wings.

I was excited to find the nest of one of them
on my daily walk.

Their population has declined by 53% since 
1966 - most likely due to the southwest desert
being cleared to agriculture and urbanization.
Fortunately, some of their habitat is
safeguarded within national wildlife
refuges, parks and other protected areas.

Thursday, March 30, 2017

Rose Duo

Rose Duo
oil on canvas

Artist Note.
This is a detail from a painting
in the M Phillips Gallery.

I am in the middle of moving my 
gallery/studio and into a new space.
Lots of planning, etc.
And I am also working on a 
couple of paintings
but they are not completed. 
Trying to stay stress free.

Presently I have a retail space
right on Main Street, downtown
Las Cruces.
Great location - except they close 
down Main Street without notice
causing a lot of aggravation.

I am still going to be in a building
on Main Street,
but in the next block.
It is an office space with parking 
right behind it.
Nice and clean but a few things
had to be done.
You can see a partition wall was
removed so the two rooms
became one large room.

Then a neutral grey paint painted
on  all the walls. A guild member
is doing all the painting and he has
done a great job.
Thank YOU, Rich!
Here you see the start of
space planning.
My easel in blue,
and white tape for
shelf placement.
File cabinet footprint.

There is a lovely curved wall
in an area I will have for a table
to each lunches at.
I will also have a another
 along the wall or me
to do demos etc for the classes
I have until the middle of April
to do everything and many
members of the guild
are offering to help.
It will be FUN!

Friday, March 24, 2017

Daffodils and Hyacinths - Watercolor

Daffs and Hyacinths
6x6in aquabord watercolor SOLD

Artist Note
Spring and all the beauty it brings.
The Quail have had their first babies.
Nests are being used all over the place.
The daffodils are up -
blossoms are on the trees
and the
March winds have been

This painting is on aquabord.
I quite like the way the colors absorb
into its dimpled surface,
creating a different appearance
than on paper.

The best part of course is
that no glass is required.
I prefer to wax for protection,
but a couple of layers
with a light spray of varnish
is also perfect.

Tuesday, March 21, 2017

Peacock Feathers With Roses

Peacock Feathers With Roses
7x5in oil on canvas panel  SOLD

Artist Note
The beauty of the rose always astounds me,
but place it next to a peacock feather and real
competition for the top spot happens.
The real dilemma for the artist is deciding
which one wins.
Rose or Peacock Feather?

This is a pick-up from an older post.
Still swamped!

Saturday, March 18, 2017

Hydrangeas and Coffee Bean Plant

Hydrangeas and Coffee Bean Plant

8x6in  oil on canvas panel SOLD

Hydrangeas with sprigs of coffee bean plant.
These  hydrangeas have a lot of a creamy color in the center
with pale blue edges to the petals. I got them at Trader Joes
in Albuquerque at weekend. They are not perky!

Artist Note.
This is a repeat of a favorite post.

This was a demo done in class today.
I had a lovely set up using the the reds of the strawberries from
yesterday to move the eyes around from the coffee bean buds.
I blocked it in like this.

Then I realized I would not be able to fit it all 
in during the time I had time.
So  - out go the strawberries!
Next I used the fracturing technique
and came back.
reworking every area.

Had family visiting this week
so not much painting accomplished 
after classes.

Monday, March 6, 2017

The Old Red Chevy

The Old Red Chevy  (1948)
6x8in oil on canvas panel SOLD

Artist Note
The inspiration for this one comes from
the Lets Paint New Mexico group.
February 14th Challenge
The original photo was of a 
rusty blue truck -
 beautifully rusty - but as the theme 
this month at the Artists Guild 
was on painting
I thought I would demo
red in the sun and shade.

In my opinion,
Red is one of the hardest 
colors to paint in the light
without going chalky or 
losing its local color and turning
due to adding 
too much white.

 These are the colors I used
for the truck.
Permanent Alizarin
(with a whisper of green
from all the trees around)
to darken into shadow.
Permanent Red and Grumbacher Red
as base colors
then I
added orange with a touch
of Naples Yellow  Light
to make it
even lighter.

The basic principle involved
when painting a dark value like red
is that it cannot possibly go as light
as a middle or light value can. 

The exception being highlights 
or reflective light on shiny surface.

I really admire this painting by Sargent
using all the values of red.
The background is rich, dark red.

Dr. Pozzi At Home
 Hammer Museum, CA
An amazing, life sized portrait.

notice how dark a value
the red in the light is

The one below is by Gauguin.

Women of Tahiti, on The Beach
Musee d'Orsay, Paris.

It  is perfect for
showing red in light and shadow 
pink in light and shadow.
Pink can go lighter due to it already
being a lighter
value to start with.

Easy to write about, but not as easy for me to do.

I am always intrigued how the principles
are followed by the masters in every style.

I have certainly picked
the pursuit of lifelong learning.
Does anyone else love the fact
that we  artists can keep
getting better at our craft...forever?

Friday, March 3, 2017

Avian Symbols - Alcohol Ink.

Avian Symbols
6x12inches Alcohol Ink on copper plate.  
Framed 500.
Purchase HERE

Avian Sanctuary
6x12inches Alcohol Ink on copper plate. 
Framed 500.
contact artist

Artist Note.
I loved painting these two companion pieces.
I was experimenting with the alcohol inks
and using more control in layering and line.
It is hard to get an accurate color 
as the copper reflects thru the inks.

I floated/glued them on a sheet of tin 
with a neat dark frame.
I really like the combination of metals.

Wednesday, March 1, 2017

Spring Run-off

Spring Runoff
6x8 inches oil on panel $140.
Purchase HERE

Artist Note
I am really drawn to the sound
of a bubbling stream and
singing birds.

Computer Issue follow up.
Thank heavens
the solution was found for 
my computer woes!!
I have to thank fellow artist and blogger
She emailed privately and so 
I will not put her last name  but 
we have followed each other's
work for a few years now and 
she has helped me before.

The solution was to enable 
third party cookies in Settings.
Simple eh?
Bless YOU, dear Lauren.

Sunday, February 26, 2017

New Mexico Sunrise

New Mexico Sunrise
6x6 oil on canvas panel $110. SOLD

A gorgeous spot in northern New Mexico.
It really is
The Land Of Enchantment.

Artist Note.
I have been having major
computer problems and
had to acquire a new one...
oh boy, now I have to
get used to
Windows 10.

 PLUS... unfortunately,
my usual way
of answering Blogger comments
is not working.
I type away with
a complete comment
when I click PUBLISH
I am asked to
please choose a profile. 

It happens on every artists 
blog I try to comment on 
including my own.
I can answer from my phone just fine,
but then I cannot see the whole blog.

I have tried every single one
of those  listed to no avail.
Everything I have typed
goes into never-never-land
Can anyone help me please?

Sunday, February 19, 2017

Pouncer ll - Fracturing Demo

Pouncer ll. Bird Watching
8x8in oil on Senso

Fracturing Technique - Step by Step.

Artist Note.

This is a re-post.
Some of you may not have seen it.
Swamped at the moment but hope
to paint tomorrow.

I have had so many requests for information on the fracturing technique
that I thought I would show some of the steps and tools I use.
I am using the natural linen SENSO. I buy it in pads which I tape
to foam core board. When it is dry I use YES paste
to glue it to a Masonite panel
Ampersand makes  boards in 6x8 in size.

 I drew this out with a mixture of
Ultramarine and Permanent Alizarin
using a script brush.
 Next, I placed quick brush marks
of bright, local color.
I made sure to go over the neighboring
edges in some places but not all.
Next, I used my handy tool to swish
 through some edges.
This part is where you allow your
own personal taste to guide you.

I hold the shaper at an angle and
VERY LIGHTLY  skim it over paint
to remove and randomly
break up areas .
Then I go back and reinstate.
Sometimes I fracture one layer
and others several times.
It all depends on how broken up
I want the image to be.

    This is a short handled, ANGLE brush.
    It is a marvelous brush for these
    small paintings.
    Using the edge, a straight line is easily
    made and I use the side to make
    multiple, different type marks.

 I make what I call "opposing strokes."
Shown here.
Make a stroke and then brush in the
opposite direction... and then again.
If you get into the habit of doing
this it will
prevent over blending and
keep your paint surface active.

If you click on the above it will
take you to DPW tutorial page where
I have a FREEBIE one for the tools I use
I also have a little video showing
 how I paint using the
fracturing technique.
(be sure to scroll down)
In the last two years, Catalyst has
come out with a whole line of shapers
so there is no need to make one.

I used a #2 round brush to do
the small areas to finishing up.
I check my center of interest
- the cats head- to make sure it
has not been fractured as much
as the other areas.

I hope that by showing my methods
and tools it will inspire some
of you to try some new method just for fun.
Let me know how it goes.

Posted by Picasa

Saturday, February 11, 2017

A Special Visit

Meeting a Fellow Blogger.
Anne Winthrop Cordin 

Anne and Cooper

I was delighted to get a message
from Anne
asking if we could meet as 
she passed through Las Cruces
with her husband (and dog).
Are you kidding...Absolutely!

I have followed Anne for a few years.
I love her blog and work. She paints 
with a wonderful abstract vision,
and writes amazingly well
about her process,
including personal ruminations
which are always interesting.

See for your self

Look what Anne painted while in Las Cruces.
A White Winged Dove.

Thank you, dear Anne, for taking the time to visit
and for making it such an interesting
and stimulating time. I loved every moment.
Hope you come again.