Personal Art Blog

Sharing the lessons I teach at the Artist Guild and the personal discoveries in my art.
Showing posts with label floral.oil on canvas panel. Show all posts
Showing posts with label floral.oil on canvas panel. Show all posts

Tuesday, June 27, 2017

Sunlight On Rose

Sunlight On Rose 
6x6 oil on canvas panel 

Artist Note.
This one is for the 
Daily Paintworks Challenge.

The Rose Challenge was submitted by
 an artist whom I
admire greatly and I have followed
her for quite a while.
Her name?
Drum roll....
Kaethe Bealer

She is brilliant at nailing her values
with beautiful, rich colors.
Here is a link to her

Be prepared to have your 
socks knocked off when you 
see the rose she painted 
from the photo.

You will see many other 
beautiful rose paintings
this challenge has inspired. 

 Here is a link to 
her gallery page

You can see she paints a variety
of subject matter
but all of them, magnificently.

Still putting together my workshop post.


Wednesday, May 13, 2015

Peppermint Roses and Solution!



Peppermint Roses
6x6in oil on canvas panel  $110. SOLD

Artist Note. 
Remember when I asked for help
last month?
( see LINK HERE )

Everyone came through
 sharing their own
personal stories. I was comforted
knowing what I experiencing
was more understandable than I thought.
Then I got a private email from a blogger
friend I had met in Carol Marine's
workshop a few years ago
suggesting I may want to see
my doctor...

When I told the doctor my symptoms she
ordered tests. She wanted to make sure
I had not had a TIA  (small stroke)
because some of
my symptoms were similar.

Results are in... Thankfully no TIA!
Instead it appears I could have been having
"painless/silent migraines."
Confusion and not being able to focus
 are part of the game.
I have had two more recognizable
events since, but I am not scared anymore
about the temporary forgetting how to paint.
(I watch my video!)
or how to evaluate it.

Anyway, I am trying to find the trigger,
(Could be some very old, potent,
balsamic vinegar presented as a gift)
but wanted to pass on the
results just in case anyone else
out there experiences a similar
situation. The advice to go to the
doctor for a check was very helpful.
Grateful Julie.

Another link to the original post  HERE
If you missed it, it is invaluable to read 
what 31 artists
shared about their own experiences.




Monday, April 8, 2013

Fractured Flowers





Red and White

6x8in oil on linen SOLD

I have had so many emails asking if everything was okay that I thought I would pull up something I did almost a year ago and visit for a while.
I love the colors in this one.

Artist Note.

I have found I can no longer multi-task in my painting subject matter and output.
My whole focus is on the theme of my show and painting anything else
seems unnatural to me. Do any of you have the same problem?
I had to do a demo for the Artist Guild last week and found it very difficult.
It has been five years since I had a one-woman show - preferring instead to exhibit in invitationals.  I only needed about 10 extra (but larger) paintings as I have been working on a series close to my heart for almost three years, just for the pure pleasure of it. I have found there is the world of difference
of painting something in a relaxed and inquisitive way and painting for a deadline.
I am sure some of you are nodding your head in agreement.

I want to thank you all for your wonderful comments on my last post.
Because of the time it would take, I dare not get on the computer to start visiting 
everyone's blogs and I have gone through genuine withdrawals because of it. 
I really miss the fellowship and stimulation.
I am BUSY! I come home from teaching and start painting. I do have three day weekends when a lot gets accomplished, but for every good painting I have to toss some others. I am working on a large
48"x36" piece which may not make it in the show unless it all comes together. Struggled today.
But only one more weekend to go until everything is delivered to the framers,
then life should return to normal and I will happily start visiting
your blogs to catch up and replying to all comments.
Thanks for being understanding and supportive.



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Tuesday, November 27, 2012

Christmas Cactus and a Technique



Christmas Cactus

6x6in oil on canvas panel   $100.

Christmas cactus plant in full bloom. This is an older
painting changed slightly so it is not painted using
the fracturing technique.



Artist Note.

Another technique some of you may find interesting.

 Pixalation. ( I call it Pixalating)
Just as the computer breaks everything
down into tiny pixels and digital art has its own proponents of
painting on the computer,
so, too, can a oil, acrylic and watercolor artist achieve
the same effect only with, in my opinion,  more of an "alive" result.

I did a pixel version of an apple and also a tree with larger marks,
see below.
To me, it all goes back to pointillism. The public is
very accepting of this technique at the moment - unlike
when pointillism first came out, because
they are more used to seeing pixels on the computer.

Using a straight edge 'bright' brush to make square marks,
this is technique is very compatible
with watercolor as well as oil and acrylics.
The artists in the Guild have enjoyed trying this one a great deal.

Make square strokes in two or three values or colors to make
the form. I use as side motion and a down brush motion.
I have found this variation is more active.
Keep areas of color in the correct place to save the
form from being lost. If you squint at the Apple you can
see the dark areas around the edges and under the light
top area. Same on the tree . Remember, keep the light
in the light and the shadow areas in the shadow
It is important on the edges to bring the negative into
he positive, and visa-versa.
There is an interesting site with excellent information
which also can apply to paint (click on)



































The artist CHUCK CLOSE found his own way to grid faces.
His is a fascinating way of breaking the edges and if you
are interested there are many
 articles on his work. Notice how the light areas hold
together so it does not look spotty. His is a slow way to
paint a portrait as he makes different designs in each square.





setting the squares
on an angle.
















Chuck Close is one of the important portrait artists
of the 20th/21st century.
There is an interesting, interview by
Charles Osgood with Chuck, (click on)
Technique is discussed
Do yourself a favor and watch and listen to this amazing
man. You do not have to love his work to be engrossed.

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Monday, June 11, 2012

Flowers and Fruit



Flowers and Fruit

6x6in oil on canvas board  $100. SOLD

I did not have much time today so I did a smaller piece.
The 6x6in format is always fun to do.
I have all kinds of items in here. Cherries, a pear, apricots, lemon slices,
three roses, a vase and a bowl. It is a lot to put into a small area,
but my goal on these small pieces is to give the viewer the impression
of a full sized painting.


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