Mixed Bouquet.
6"x 6" oil on canvas $110. SOLD
This was a demo to show the importance
of having a transparent underpainting.
Artist Note.
I had a request
to repost this one from last year .
I am a big believer in leaving
some of the darker areas in
a painting, transparent.
There is a certain glow which
doesn't happen with opaque
dark areas - in fact I find
they can look, pretty "chalky."
My transparent colors
used for the demo were:
Viridian
Transparent Oxide Yellow TYO
Alizarin (permanent)
Ultramarine Blue.
After a wash of TOY
I did a mass shape using Viridian.
Next I lifted out the lighter areas
using a rag.
I followed this with more lifting
with a small amount of Gamsol
on my rag and a scrubby brush.
This was to hit my lightest areas.
I added Viridian and Ultra
with touch of Aliz to make darker
greens in jar and leaves.
I added more TOY to back and front.
and shadowed the area
behind the jar
linking into the dark leaves
Bringing in color but making
sure to keep it all transparent.
Then the fun part - I fractured it!
(See FREE tutorial on tools and what
I use for fracturing
HERE )
I enjoyed bringing it back
into form by
taking advantage
of the broken areas to add
interest
Now into the opaque colors.
I added
Titanium
Permanent Yellow and
Permanent Red light to my palette
I started using a knife and a brush
at this point.
I left the flowers
very abstract on purpose.
That was the easiest part -
because they were all imaginary.
There are transparent areas
peeking through the opaque
marks, and to me it makes
for an exciting surface.
Thick - thin,
transparent - opaque,
warm - cool.
If you are not already using the
transparent colors - or have not
used them for a while then
please let me know if you are
inspired to try them.
Happy Painting
Enjoy your weekend.