Personal Art Blog

Sharing the lessons I teach at the Artist Guild and the personal discoveries in my art.
Showing posts with label still life. julie ford oliver. Show all posts
Showing posts with label still life. julie ford oliver. Show all posts

Thursday, October 24, 2013

Feather Series - Variety Study



A Variety of Feathers - Study

8x5in watercolor and graphite on paper  NFS

Another friend from the Artists Guild came in with
a bag of the most wonderful assortment of feathers.
Karen Curry - thank you... thank you!

Artist Note
I used one of those spiky flower holders - frogs- to
hold the feathers as I observed them.
I started the exploration of the different textures and
shapes with the mechanical pencil and then I moved
into a pale watercolor wash. Before it was dry I
began using the wonderful AQUARELLE GRAPHITE
pencils and white Caran D'Ache-Pas ll,  water soluble
crayon/pastel. Now I want to figure out how to make
a painting from this. I am sure you all agree,
what works as as a drawing does
not always transition well in paint.


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Monday, January 7, 2013

Laundry Room Shelf



Laundry Room Shelf

6x6in  oil on canvas  $100.

Day 6 in the.30 in 30 Days Challenge
My personal goal  for this challenge - to paint only what I have
never painted or thought of painting before.
This is a perfect example!

Artist Note:

I am at a figure workshop so I did this painting and post before I left.
I actually did a couple ahead, an interesting experience for me
because I have never been able to paint more than one in a
day before. I usually do my small daily painting, which always takes
at least three hours or longer, and then I move on to a larger
piece.

I wonder if any of you artists share
or have an opinion on the following.

I find small paintings are harder for me to do than large paintings.
I challenge myself to produce something I would normally paint larger
onto this tiny area.
Organizing the space for full advantage takes a different approach
than with the larger size. Why is this?
Enter a room in any museum and usually the larger paintings catch your
eyes first. Color and strength of design can be quickly seen .
It doesn't mean they are the best paintings, just the ones with
the initial impact.
Place a tiny 6x8in on the wall without a big frame and it has to
have substance, emotion, design, and good color harmony, and even
then it can be a "walk on by" painting.
Looking at all the wonderful  paintings being done in the Challenge
can you judge their sizes before reading what they are?















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