White Rose
8x6in oil on canvas panel $125. SOLD
Artist Note
This was a demo for a guild member
to show how I do transition edges.
Transition edges prevent the dreaded
cookie-cutter look by running a mixture
of the background color and
slightly darker value of whatever
you are painting... along
the edges.
I find this applies more to the color
WHITE than any other color.
As Marc Chagall taught us..
All colors are friends of their neighbors...
so you can see from the cropped close-up
all the colors from the background
are mixed into the white rose and the actual white
does not go all the way to the edge.
There is a transitional value of pale color
on the edges.
Below is the way John Singer Sargent handled
the transitional edge.
Click to enlarge and you will
notice the purest white is not at the very edges.
And notice the background colors brought
into the white
Ruth Sears Bacon
JSS
This one is hard to see, but it does have a line of
slightly darker values running along the edges.
Roses
JSS
Very interesting. I hadn't thought of it exactly that way.
ReplyDeleteGreat examples and demo.
Thanks Jean. I think Marc Chagall put it into words so well.
DeleteThe whole statement actually goes:
All colors are friends of their neighbors
and lovers of their opposites.
It has made it really easy to remember.
Yes, very interesting. Always great to learn these tips. They are very appreciated. White roses are so beautiful.
ReplyDeleteHi Carol...I agree. White roses are truly beautiful.
DeleteI loved your photos of the birds. It is their season for sure.
Thanks for the neat comment.
Good stuff, Julie. Thanks for your generous spirit to share with us!
ReplyDeleteHi Diana - and I thank you for the generous comment.
DeleteThe two portraits on your new post are truly well done and a pleasure to see..
Such a beautiful rose, Julie and the post was very interesting!!!
ReplyDeleteThanks Hilda, but nothing you don't already know.
DeleteI do hope to reach artists who are just at the stage of "getting it!"
WE hear things we have heard before but suddenly a light bulb goes off.
Thank you for sharing that all important lesson on edges. Your rose is just stunning!
ReplyDeleteHi Chris, I do appreciate your comment.
DeleteI was looking at your wonderful carrousel painting, and it brought back so many fun memories.
I am always struck by your wonderful sense of design. Kudos.
Great post Julie. Your rose painting is perfect for the subject and just stunning. I am loving that patch of blue in the upper right corner. Who would have ever thought it could work so beautifully. This is what makes you a master I think!
ReplyDeleteHi friend - Happy you like it. According to your latest post, if I had some purple right next to it it would be even more to your liking - right?
DeleteI really enjoyed all the neat stuff on your new post by the way and am so looking forward to seeing your garden.
Spectacular rose !
ReplyDeleteThanks Jane - your roses are pretty spectacular too. AND more of them!
DeleteGreat painting. I really like your style, you can make simple subject into a magnificent painting. Thank you very much for sharing your tips. Am back again with painting, so I can now frequently visit this blog.
ReplyDeleteThanks for saying that Cora, but I also really like your vision with watercolor. Your rose is truly lovely.
DeleteYour roses are so much prettier than Sargent's, Julie. Love your fracturing style with this subject as well.
ReplyDeletePretty is a good word because he didn't DO pretty. Sargent did outright beauty of color shape and volume. Big difference. If i only could match him... but as that is impossible I have to be true to my own sensibilities.
DeleteGood luck with your move this weekend, Sherry.
Delicate flowers as always! Always good to learn how to live on the edge:) LOL:)
ReplyDeleteLOL - good one Libby.
DeleteAnd you know I am just being silly! I appreciate the tip!
ReplyDeleteLibby
I did and appreciated the humor. I was raised with that British attitude of live. Better laugh,...it only gets worse!
DeleteHow are your classes going in color? You are doing a masterful use of harmony and shapes in your own work.
Geesh...I hate spell check. LIFE not live.
DeleteThanks Julie/. I have my first class next week so we will see how that goes. I also bought Josef Albers color book and am slowly delving into that. The intro. says that he has a different approach to learning (practice first and then theory) and so I am hoping for lots of insight:)
DeleteAlbers helped me a lot about understanding color. A bit hard to understand at first, I stuck with it and am glad I did.
DeleteThis one called me over for a closer look Julie. Stunning work.
ReplyDeleteHi Laura - pleased you visited and liked it, thanks.
DeleteGood for you doing the EDM and your new post with all the sketches is not only fun but informative as well.
What a wonderful way to start my day with a mini workshop from Julie. You continue to inspire. Thank you.
ReplyDeleteYou always make me feel good, Blanche. Thanks for the blessings.
ReplyDeleteYour rose is so elegant and beautiful. Love it! And thanks for the information on edges and great examples by JSS. Very timely for me as I was feeling my recent still-life paintings were looking a bit cut-out.
ReplyDeleteYour edges are just great on your fruit painting - not cut out at all. and I love your new landscape. Lovely
Deletelight.
Thanks for the very nice comment, Bhavani.
Great information, Julie, with excellent examples. Gosh, I LOVE and always am in awe of the works by Sargent! What CAN'T that man do?!!
ReplyDeleteI have learned so much from you and appreciate the time it takes to put all of the information out there. I so look forward to all your posts!!
I agree about Sargent. When I was at art school he was out of favor with the faculty. His strokes were" too facile".
DeleteNow, of course he is really admired for the same technique.
Nice to know you look forward to my posts. The info I put out on this blog are to re-enforce the lessons from the Artist Guild meetings and it sure helps me think it all through. Happy you find it interesting.
Problem that I feel in the watercolor technique,where management of white is so important ...White of paper is a real problem in many ways. Thanks for share your knowledge.
ReplyDeleteBeautiful rose, so delicate,where a symphony of lovely color nuances sings in posted details.
Hi Rita, the white in watercolor uses the same principles of reflected colors. Pale washes and transition lines blended softly along the edges. Adding color bounce with the white of the paper in needed area. I think you can get away with cookie-cutter /overall sharpness in watercolor far easier than in oils. Most likely because the white paper underneath can balance it out...or
Deleteleave other areas white for design purposes. Both medias have their benefits.
You are a master at watercolor and poetry in color appears from your brush.
.
Great post to go along with that fabulous rose. Those points eventually do become second nature, but it takes plenty of paintings painted over several years. there really is no white in painting. It's a conglomerate of reflections.
ReplyDeleteHi Linda, thanks and I agree about the several years. Even so I do not always remember myself. Especially if I am focusing somewhere else. Art is complicated. Thats why we revere someone of Sargent's stature.
DeleteI am very happy you showed us your older painting. I liked it a lot.
I am fascinated by your explanation of transition edges, Julie. Thank you for sharing this important technique! Is there a chance you could share a few examples in watercolor? I share Rita Vaselli's concerns.
ReplyDeleteHi Dana - I answered Rita's comment with the info on watercolor. Check Sargent's watercolor - White Ox at Sienna Here is the link. See the color of the sky and ground mixed into the white area. Notice hardly any outline of white aroung the ox.
Deletehttp://www.wikiart.org/en/john-singer-sargent/white-ox-at-siena
Hope it helps. Thanks so much for the comment.
Just a wonderful post. Makes me want to paint but I still have to go slowly.
ReplyDeleteSorry you are still not quite up to par, Helen. I can understand wanting to paint, but not enough energy to carry through. Looking forward to when you next post.
DeleteIt is a wonderful tutorial, Julie, clear instructions and I appreciate the example photos! Your rose is breathtaking!
ReplyDeleteGreat examples and explanations Julie, your rose is magnificent!
ReplyDeleteI'm always learning from you. Thank you so much.
ReplyDelete