Personal Art Blog

Sharing the lessons I teach at the Artist Guild and the personal discoveries in my art.

Wednesday, May 6, 2015

White Rose


White Rose

8x6in oil on canvas panel  $125. SOLD



Artist Note
This was a demo for a guild member
to show how I do transition edges.

Transition edges prevent the dreaded
cookie-cutter look by running a mixture 
of the background color and 
slightly darker value of whatever
you are painting... along 
the edges.
I find this applies more to the color
WHITE than any other color.

As  Marc Chagall taught us..
All colors are friends of their neighbors...
so you can see from the cropped close-up
all the colors from the background 
are mixed into the white rose and the actual white 
does not go all the way to the edge. 
There is a transitional value of pale color 
on the edges.



Below is the way John Singer Sargent  handled 
the transitional edge.
Click to enlarge and you will 
notice the purest white is not at the very edges.
And notice the background colors brought 
into the white

Ruth Sears Bacon
JSS

This one is hard to see, but it does have a line of
slightly darker values running along the edges.

Roses
JSS


44 comments:

  1. Very interesting. I hadn't thought of it exactly that way.

    Great examples and demo.

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    1. Thanks Jean. I think Marc Chagall put it into words so well.
      The whole statement actually goes:
      All colors are friends of their neighbors
      and lovers of their opposites.
      It has made it really easy to remember.

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  2. Yes, very interesting. Always great to learn these tips. They are very appreciated. White roses are so beautiful.

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    1. Hi Carol...I agree. White roses are truly beautiful.
      I loved your photos of the birds. It is their season for sure.
      Thanks for the neat comment.

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  3. Good stuff, Julie. Thanks for your generous spirit to share with us!

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    1. Hi Diana - and I thank you for the generous comment.
      The two portraits on your new post are truly well done and a pleasure to see..

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  4. Such a beautiful rose, Julie and the post was very interesting!!!

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    1. Thanks Hilda, but nothing you don't already know.
      I do hope to reach artists who are just at the stage of "getting it!"
      WE hear things we have heard before but suddenly a light bulb goes off.

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  5. Thank you for sharing that all important lesson on edges. Your rose is just stunning!

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    1. Hi Chris, I do appreciate your comment.
      I was looking at your wonderful carrousel painting, and it brought back so many fun memories.
      I am always struck by your wonderful sense of design. Kudos.

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  6. Great post Julie. Your rose painting is perfect for the subject and just stunning. I am loving that patch of blue in the upper right corner. Who would have ever thought it could work so beautifully. This is what makes you a master I think!

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    Replies
    1. Hi friend - Happy you like it. According to your latest post, if I had some purple right next to it it would be even more to your liking - right?
      I really enjoyed all the neat stuff on your new post by the way and am so looking forward to seeing your garden.

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  7. Replies
    1. Thanks Jane - your roses are pretty spectacular too. AND more of them!

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  8. Great painting. I really like your style, you can make simple subject into a magnificent painting. Thank you very much for sharing your tips. Am back again with painting, so I can now frequently visit this blog.

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    Replies
    1. Thanks for saying that Cora, but I also really like your vision with watercolor. Your rose is truly lovely.

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  9. Your roses are so much prettier than Sargent's, Julie. Love your fracturing style with this subject as well.

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    Replies
    1. Pretty is a good word because he didn't DO pretty. Sargent did outright beauty of color shape and volume. Big difference. If i only could match him... but as that is impossible I have to be true to my own sensibilities.
      Good luck with your move this weekend, Sherry.

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  10. Delicate flowers as always! Always good to learn how to live on the edge:) LOL:)

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  11. And you know I am just being silly! I appreciate the tip!
    Libby

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    Replies
    1. I did and appreciated the humor. I was raised with that British attitude of live. Better laugh,...it only gets worse!
      How are your classes going in color? You are doing a masterful use of harmony and shapes in your own work.

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    2. Geesh...I hate spell check. LIFE not live.

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    3. Thanks Julie/. I have my first class next week so we will see how that goes. I also bought Josef Albers color book and am slowly delving into that. The intro. says that he has a different approach to learning (practice first and then theory) and so I am hoping for lots of insight:)

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    4. Albers helped me a lot about understanding color. A bit hard to understand at first, I stuck with it and am glad I did.

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  12. This one called me over for a closer look Julie. Stunning work.

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    1. Hi Laura - pleased you visited and liked it, thanks.
      Good for you doing the EDM and your new post with all the sketches is not only fun but informative as well.

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  13. What a wonderful way to start my day with a mini workshop from Julie. You continue to inspire. Thank you.

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  14. You always make me feel good, Blanche. Thanks for the blessings.

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  15. Your rose is so elegant and beautiful. Love it! And thanks for the information on edges and great examples by JSS. Very timely for me as I was feeling my recent still-life paintings were looking a bit cut-out.

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    1. Your edges are just great on your fruit painting - not cut out at all. and I love your new landscape. Lovely
      light.

      Thanks for the very nice comment, Bhavani.

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  16. Great information, Julie, with excellent examples. Gosh, I LOVE and always am in awe of the works by Sargent! What CAN'T that man do?!!
    I have learned so much from you and appreciate the time it takes to put all of the information out there. I so look forward to all your posts!!

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    1. I agree about Sargent. When I was at art school he was out of favor with the faculty. His strokes were" too facile".
      Now, of course he is really admired for the same technique.

      Nice to know you look forward to my posts. The info I put out on this blog are to re-enforce the lessons from the Artist Guild meetings and it sure helps me think it all through. Happy you find it interesting.

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  17. Problem that I feel in the watercolor technique,where management of white is so important ...White of paper is a real problem in many ways. Thanks for share your knowledge.
    Beautiful rose, so delicate,where a symphony of lovely color nuances sings in posted details.

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    1. Hi Rita, the white in watercolor uses the same principles of reflected colors. Pale washes and transition lines blended softly along the edges. Adding color bounce with the white of the paper in needed area. I think you can get away with cookie-cutter /overall sharpness in watercolor far easier than in oils. Most likely because the white paper underneath can balance it out...or
      leave other areas white for design purposes. Both medias have their benefits.
      You are a master at watercolor and poetry in color appears from your brush.
      .

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  18. Great post to go along with that fabulous rose. Those points eventually do become second nature, but it takes plenty of paintings painted over several years. there really is no white in painting. It's a conglomerate of reflections.

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    1. Hi Linda, thanks and I agree about the several years. Even so I do not always remember myself. Especially if I am focusing somewhere else. Art is complicated. Thats why we revere someone of Sargent's stature.
      I am very happy you showed us your older painting. I liked it a lot.

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  19. I am fascinated by your explanation of transition edges, Julie. Thank you for sharing this important technique! Is there a chance you could share a few examples in watercolor? I share Rita Vaselli's concerns.

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    1. Hi Dana - I answered Rita's comment with the info on watercolor. Check Sargent's watercolor - White Ox at Sienna Here is the link. See the color of the sky and ground mixed into the white area. Notice hardly any outline of white aroung the ox.
      http://www.wikiart.org/en/john-singer-sargent/white-ox-at-siena
      Hope it helps. Thanks so much for the comment.

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  20. Just a wonderful post. Makes me want to paint but I still have to go slowly.

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    1. Sorry you are still not quite up to par, Helen. I can understand wanting to paint, but not enough energy to carry through. Looking forward to when you next post.

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  21. It is a wonderful tutorial, Julie, clear instructions and I appreciate the example photos! Your rose is breathtaking!

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  22. Great examples and explanations Julie, your rose is magnificent!

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  23. I'm always learning from you. Thank you so much.

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I love that you are taking the time to comment and thank you for it. I am sure other readers will enjoy them too. If you cannot comment through this format then email me at juliefordoliver@gmail.com
Cheers,
Julie