A Little Watercolor

A Little Watercolor

6x6in watercolor on Arches   SOLD

A quick little study of three Roman glass vessels, painted for a friend
who likes my watercolors more than my oils.
These are very old pieces and covered with a mica type film - which I find beautiful.

My lovely daughter is moving to another state with her job. (sob!) Tonight
is our last night together for quite a while so it will be special.
We will miss her and her companion, Eric. They follow my blog so
I am wishing them a safe journey and wonderful new adventures.

Ancient Roman Vessel with Orchids

Ancient Roman Vessel with Orchids.

6x6in  oil on canvas board   85.

This piece is a gem. Roman 3rd Century AD.
The burial conditions causes alkali to leach out and leave the layers with a beautiful iridescence. This is what attracts me to these amazing old vessels. This piece is a pale blue green with solid aqua base, handle and bands. The body is lovely, although slightly misshaped, with  green, pink, mauve and yellow areas.
Did you know that glass blowing started back in the 1st Century AD?  Before that  it was limited to  core-forming and casting. Once the glass blowing began it became more affordable and popular, becoming part of everyday life.

I know about the glass, but I have no idea what type of orchid this is. Tiny flowers with spotted finger shapes. Rather funky and that is why I like it.

Freesia with Ancient Glass

Freesia with Ancient Glass

6x6in  oil on canvas  SOLD

This ancient vessel is Roman, 200-400 AD. I have a small collection of Roman Glass and I treasure each piece. I am always amazed to realize that glass can survive through the centuries.
(Oh Dear...think of those glass, mercury filled light bulbs I blogged about yesterday, filling and poisoning our landfills for eternity! Where are the brains of the public officials who are supposed to protect us? )

A friend came by today and saw what I was working on and bought it before it was finished. Always a boost!


Artist Note:

I wanted the the light to be strong enough to emphasize the highlighted areas and still show the transparent nature of the glass. This meant the spotlight overhead was quite close to the flower and the heat actually opened it up as I painted it.
I used a raw sienna wash under everything to give a warm glow and a reversed "c" pattern for the flow of light.